Keith Collins — American musician — works in the metal and hard rock circuit of the United States. American metal has a different structure from the European. While Europe maintains a settled system of festivals, specialist labels and a touring circuit that sustains mid-sized bands, the United States operates on a more concentrated market logic: few bands reach national scale, and the rest work in regional circuits. That produces a specific kind of career. American musicians in the genre often combine band activity with studio work, production, teaching or technical roles — not for lack of competence, but because the market's structure does not sustain exclusive dedication outside the top. It is a structural difference explaining why so many American melodic metal bands of the 1980s and 1990s found an audience in Europe and Japan before having one at home, and why many musicians in the genre keep a stronger presence outside the United States than within it.
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